kickin' 4 brooklyn

kick this one for brooklyn, kick this one for the 90s, now kick this one here for me & my dj, now i was rockin this party in the 90s, brooklyn, you know where the people get hype, 'll rock a party from friday to saturday night, 48 hours done, and i still hold the mic, i try to put you down and say that i'm through, but they give it back to me and say, "continue", that's the thing about brooklyn, they never get enough, of the rap and the music and all the good stuff, that makes your life worth livin for, respect is the crowd, the crowd that i draw, never am i dissed, and never ever shall i be, ain't a mc alive that can deal with me, and if you think you're the one that can deal with this, well, you ah - best prepare for a big fat dis, kick this one for brooklyn, kick this one for the 90s, now kick this one here for me & my dj, now i was chillin in flatbush, mindin my own, when a girl walked up with a chrome microphone, she said, "hey, mc lyte, i heard about you, so here's the microphone, let's see what you can do", so i took the microphone and i threw it to the ground, cause i need no assist when it comes to gettin down, when i start to rap, she start to shake, she knew to confront me was truly a mistake, so she picked the microphone off the grey concrete, and before i turned around, she was down the street, now kick this one for brooklyn, kick this one for the 90s, now kick this one here for me & my dj, now when i'm on the stage, everyone starts starin, is it what i'm sayin, or is it what i'm wearin?, 50/50 chance it's what i'm sayin, and at the same time what my deejay is playin, if you can get hype and sort of like loud, yo, k-rock, kick this one for the crowd, i been to lots of parties, mostly uptown, and one thing i noticed: young people get down, so hip-hoppers, hip-hoppers, from all around, get with the funky sound, kick this one for brooklyn, now kick this one for the 90s, now kick this one here for me & my dj,